Na virtu\u00e1ln\u00edm setk\u00e1n\u00ed CAC s n\u00e1zvem \u201eJak naj\u00edt nad\u011bji v t\u011b\u017ek\u00fdch \u010dasech?\u201c se k t\u00fdmu CAC p\u0159ipojil um\u011blec a hudebn\u00edk Jon Batiste, dr\u017eitel ceny Grammy, a zapojil se do diskuse. D\u011bkanka fakulty Carmen Acevedo Butcher se Batisteho zeptala na radost a oslavu jako zp\u016fsob, jak potvrdit na\u0161i lidskost uprost\u0159ed okolnost\u00ed, kter\u00e9 n\u00e1s zbavuj\u00ed lidskosti: \u201eKde v sou\u010dasn\u00e9 dob\u011b tuto dehumanizaci vn\u00edm\u00e1te a jak bychom se mohli op\u0159\u00edt o radost jako o akt odporu?\u201c Batiste odpov\u011bd\u011bl:<\/p>\n\n\n\n
O dob\u011b, ve kter\u00e9 \u017eijeme, lze \u0159\u00edci mnoho v\u011bc\u00ed a existuje se lze d\u00edvat z r\u016fzn\u00fdch \u00fahl\u016f pohled\u016f, je mnoho zp\u016fsob\u016f, jak se na ni d\u00edvat. Obecn\u011b r\u00e1d nahl\u00ed\u017e\u00edm na v\u011bci tak, \u017ee se odehr\u00e1vaj\u00ed na r\u016fzn\u00fdch os\u00e1ch. V\u0161echny tyto v\u011bci se d\u011bj\u00ed najednou \u2013 z perspektivy va\u0161eho vlastn\u00edho \u017eivota, z perspektivy pozorov\u00e1n\u00ed sv\u011bta kolem v\u00e1s a nakonec i z perspektivy pozorov\u00e1n\u00ed historie. M\u016f\u017eeme vid\u011bt p\u0159\u00edlivy a odlivy \u010dasu a to, jak jsme pro\u0161li v\u0161emi t\u011bmito r\u016fzn\u00fdmi f\u00e1zemi v pr\u016fb\u011bhu na\u0161\u00ed generace i generac\u00ed minul\u00fdch.<\/p>\n\n\n\n
Mus\u00edte tedy za\u010d\u00edt t\u00edm, \u017ee najdete zakotven\u00ed, kter\u00e9 je pro v\u00e1s pravdiv\u00e9 a smyslupln\u00e9. Pr\u00e1v\u011b tam nakonec za\u010d\u00edn\u00e1me nach\u00e1zet autentickou radost, proto\u017ee radost pramen\u00ed z bolesti. Je to p\u0159em\u011bna a alchymie bolesti. P\u0159em\u011b\u0148uje ji do prostoru, kter\u00fd je pro v\u00e1s pravdiv\u00fd a autentick\u00fd, i kdy\u017e se okolnosti kolem v\u00e1s nem\u011bn\u00ed. Hlubokou nad\u011bji nelze potla\u010dit nep\u0159\u00edzniv\u00fdmi okolnostmi. Nad\u011bje p\u0159esahuje podm\u00ednky va\u0161ich okolnost\u00ed.<\/p>\n\n\n\n
Nad\u011bji [m\u016f\u017eeme] ztratit, kdy\u017e u\u017e nev\u011b\u0159\u00edme nebo nevid\u00edme d\u016fkazy o pozitivn\u00edm v\u00fdsledku, ale nejhlub\u0161\u00ed nad\u011bje spo\u010d\u00edv\u00e1 v tomto vnit\u0159n\u00edm v\u011bdom\u00ed, \u017ee nejjasn\u011bj\u0161\u00ed sv\u011btlo m\u016f\u017ee vzej\u00edt z nejtemn\u011bj\u0161\u00edch okam\u017eik\u016f. Tuto nad\u011bji najdete\u2026 t\u00edm, \u017ee si nejprve polo\u017e\u00edte ot\u00e1zky: \u201eV co douf\u00e1m? Pro koho to je? Kdo m\u00e1 nad\u011bji pod kontrolou? V \u010dem je moje nad\u011bje zako\u0159en\u011bna? Jak\u00e1 je moje v\u00edra ohledn\u011b kone\u010dn\u00e9ho v\u00fdsledku?\u201c<\/p>\n\n\n\n
Za\u010dal jsem si uv\u011bdomovat, \u017ee nad\u011bje p\u0159esahuje fyzickou rovinu. Nad\u011bje je jazykem neviditeln\u00e9ho. P\u0159esahuje okolnosti, proto\u017ee p\u0159esahuje fyzickou realitu. Je duchovn\u00ed. Je to jazyk neviditeln\u00e9 \u0159\u00ed\u0161e, kter\u00e1 je stejn\u011b skute\u010dn\u00e1, ne-li skute\u010dn\u011bj\u0161\u00ed, ne\u017e v\u011bci, kter\u00e9 m\u016f\u017eeme vid\u011bt a dotknout se jich. Nad\u011bje je hlubok\u00e9 vnit\u0159n\u00ed v\u011bd\u011bn\u00ed, kter\u00e9 pramen\u00ed z budov\u00e1n\u00ed tohoto [z\u00e1kladu]. Proto r\u00e1d \u0159\u00edk\u00e1m, \u017ee nad\u011bje je jako kontaktn\u00ed sport. Pracujete na n\u00ed. Zlep\u0161ujete se v n\u00ed. M\u016fj d\u016fm by mohl b\u00fdt zaplaven\u00fd a st\u0159echa by mohla ho\u0159et, a p\u0159esto v sob\u011b mohu m\u00edt pocit nad\u011bje. Z\u016fstanu v t\u00e9 lodi.<\/p>\n\n\n\n
Nen\u00ed to v\u017edy snadn\u00e9, ale je to volba, kter\u00e1 \u2013 jakmile ji jednou u\u010din\u00edme a zako\u0159en\u00edme se v tom nejhlub\u0161\u00edm a nejautenti\u010dt\u011bj\u0161\u00edm m\u00edst\u011b na\u0161eho \u017eivota, a\u0165 u\u017e jsme se tam dostali jakkoli \u2013 n\u00e1m umo\u017en\u00ed skute\u010dn\u011b podle n\u00ed \u017e\u00edt. M\u016f\u017eeme na tom stav\u011bt a ta nad\u011bje se zn\u00e1sobuje, bez ohledu na okolnosti, kter\u00e9 n\u00e1s obklopuj\u00ed, bez ohledu na to, jak\u00e9 by mohly b\u00fdt, a bez ohledu na to, zda je m\u00e1me pod kontrolou, \u010di nikoli.<\/p>\n\n\n\n
Carmen Acevedo Butcher and Drew Jackson with Cole Arthur Riley and Jon Batiste, \u201cHow Do We Find Hope in Hard Times? A Contemplative Response to Uncertainty, Loss, and Change,\u201d (Center for Action and Contemplation, March 13, 2026). Unavailable.<\/p>\n\n\n\n
Image credit and inspiration<\/strong>: Dyu Ha, untitled <\/em>(detail), 2019, photo, Unsplash<\/a>. Click here to enlarge image<\/a>. We reach out with a deep desire to connect to hope and a sense of timing beyond our own.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Za\u010dal jsem si uv\u011bdomovat, \u017ee nad\u011bje p\u0159esahuje fyzickou rovinu. Nad\u011bje je jazykem neviditeln\u00e9ho. P\u0159esahuje okolnosti, proto\u017ee p\u0159esahuje fyzickou realitu. Je duchovn\u00ed. Je to jazyk neviditeln\u00e9 \u0159\u00ed\u0161e, kter\u00e1 je stejn\u011b skute\u010dn\u00e1, ne-li skute\u010dn\u011bj\u0161\u00ed, ne\u017e v\u011bci, kter\u00e9 m\u016f\u017eeme vid\u011bt a dotknout se jich. Nad\u011bje je hlubok\u00e9 vnit\u0159n\u00ed v\u011bd\u011bn\u00ed, kter\u00e9 pramen\u00ed z budov\u00e1n\u00ed tohoto [z\u00e1kladu]. Proto r\u00e1d \u0159\u00edk\u00e1m, \u017ee nad\u011bje je jako kontaktn\u00ed sport. ( Jon Batiste)<\/p>\n","protected":false},"author":1,"featured_media":14501,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[2675],"class_list":["post-14505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-frantiskanskarodina","tag-hudebnik-jon-batiste","latest_post"],"_links":{"self":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/14505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/comments?post=14505"}],"version-history":[{"count":1,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/14505\/revisions"}],"predecessor-version":[{"id":14506,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/14505\/revisions\/14506"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media\/14501"}],"wp:attachment":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media?parent=14505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/categories?post=14505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/tags?post=14505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}