Autorka a vedouc\u00ed n\u00e1vratu Paula D’Arcy n\u00ed\u017ee sd\u00edl\u00ed zku\u0161enost, kterou m\u011bla v r\u00e1mci workshopu s v\u011bze\u0148kyn\u011bmi z v\u011bznice v Texasu. Opern\u00ed skladba zp\u00edvan\u00e1 dv\u011bma hostuj\u00edc\u00edmi um\u011blci p\u0159inesla do hlu\u010dn\u00e9 m\u00edstnosti s v\u011bzni rezonuj\u00edc\u00ed klid a probudila v p\u0159\u00edtomn\u00fdch lidech pocit Prav\u00e9ho J\u00e1. Paula p\u00ed\u0161e:<\/em><\/p>\n\n\n\n Hudba n\u00e1s vt\u00e1hla do marnosti na\u0161eho kr\u00e1tk\u00e9ho \u017eivota; chyby, kter\u00e9 d\u011bl\u00e1me; na\u0161e touhy po tom, aby v\u011bci byly jinak, aby byly lep\u0161\u00ed; zoufalstv\u00ed z \u017eivota bez nad\u011bje; hled\u00e1n\u00ed \u010distoty a svatosti. Kdy\u017e jsem se oto\u010dila, abych se pod\u00edvala kolem sebe , vid\u011bla jsem, \u017ee mnoho v\u011bz\u0148\u016f p\u0159emohla emoce. V m\u00edstnosti se pohybovalo n\u011bco vzne\u0161en\u00e9ho \u2013 hudba, kter\u00e1 vstoupila p\u0159\u00edmo do na\u0161ich srdc\u00ed…<\/p>\n\n\n\n Hudba se dot\u00fdkala skryt\u00fdch m\u00edst v ka\u017ed\u00e9m z n\u00e1s: N\u011bco velk\u00e9ho je v tob\u011b \u017eiv\u00e9<\/em>, a n\u011bco v\u00edc ne\u017e povrchn\u00ed realita. <\/em>N\u011bco velk\u00e9ho <\/em>je ur\u010deno pro <\/em>tv\u016fj<\/em> \u017eivot. Za <\/em>tvou dosavadn\u00ed \u017eivotn\u00ed zku\u0161enost\u00ed se skr\u00fdv\u00e1<\/em> jin\u00fd osud.<\/em><\/p>\n\n\n\n Nejen v\u011bzni byli viditeln\u011b posti\u017eeni, ale i v\u0161ichni ostatn\u00edi. N\u011bco nevyj\u00e1d\u0159iteln\u00e9ho v hudb\u011b n\u00e1m zlomilo na\u0161e srdce…<\/p>\n\n\n\n Nebylo to poprv\u00e9, co jsem to c\u00edtila. Na po\u010d\u00e1tku roku 1980 jsem sna\u017eila slepit sv\u016fj \u017eivot, kter\u00fd rozbila n\u00e1hl\u00e1 smrt m\u00e9ho man\u017eela a milovan\u00e9 dcery. Zahynuli p\u0159i autonehod\u011b zp\u016fsoben\u00e9 opilost\u00ed. C\u00edtila jsem \u017ee je v\u0161e zni\u010deno. V jednom okam\u017eiku byly p\u0159evr\u00e1ceny vzh\u016fru nohama v\u0161echny m\u00e9 n\u00e1zory, m\u016fj pohled na sv\u011bt a m\u016fj obraz Boha. Byla to znepokojuj\u00edc\u00ed doba. Neust\u00e1le jsem hledal n\u00e1pady a p\u0159em\u00fd\u0161lela o filozofie, kter\u00e9 by mne z nouze vyvedla. Byly to m\u00e9 d\u0159\u00edv\u011bj\u0161\u00ed zp\u016fsoby toho jak \u0159e\u0161it \u017eivot.<\/p>\n\n\n\n Otec Richard u\u010d\u00ed, \u017ee mysl a na\u0161e my\u0161lenky poch\u00e1zej\u00ed z odd\u011blen\u00e9ho j\u00e1. \u010casto opakuje: „Fale\u0161n\u00e9 j\u00e1 je to, co si vy mysl\u00edte, \u017ee jste. Va\u0161e my\u0161len\u00ed nen\u00ed pravda o va\u0161em J\u00e1.“<\/em> [1] Paula pokra\u010duje:<\/em><\/p>\n\n\n\n Mysl m\u011b nedok\u00e1zala p\u0159iv\u00e9st k obnov\u011b. Trvalo dlouho, ne\u017e jsem se obr\u00e1tila jin\u00fdm sm\u011brem a za\u010dala se d\u00edvat dovnit\u0159 sebe sama. Nakonec jsem vid\u011bla, \u017ee sem\u00ednko zrodu nov\u00e9 cesty \u010dekaj\u00ed ve v\u0161em kolem mne a pochopila jsem, \u017ee spr\u00e1vn\u00e1 doba nastane\u2013 a\u017e se budu ochotna setkat se s t\u00edm, „co je“ a p\u0159estanu trvat na sv\u00e9 vlastn\u00ed verzi \u017eivota [RR: co\u017e odd\u011blen\u00e9 j\u00e1 nem\u016f\u017ee pomoci, ale d\u011bl\u00e1<\/em>]. Skute\u010dn\u00e1 zm\u011bna a prom\u011bna je mo\u017en\u00e1.<\/p>\n\n\n\n Nastalo d\u016fle\u017eit\u00e9 proz\u0159en\u00ed. D\u0159\u00edve jsem spol\u00e9hala se na star\u00e9 rady a zku\u0161enosti \u2013 na mnoho r\u016fzn\u00fdch koncept\u016f a n\u00e1pad\u016f mysli. S\u00edla l\u00e1sky, kter\u00e1 udr\u017euje \u017eivot, nepot\u0159ebuje \u017e\u00e1dn\u00fd koncept a nesepisuje soubor svat\u00fdch podm\u00ednek, jak j\u00ed dos\u00e1hnout. Sta\u010dilo jen otev\u0159\u00edt sv\u00e9 srdce, moje l\u00e1ska pro\u0161la velkou bolest\u00ed a pomalu zm\u011bnila m\u016fj pohled na \u017eivot. To co se kdysi zd\u00e1lo b\u00fdt pevn\u00e9 a ur\u010den\u00e9, bylo odhaleno jako m\u00e9n\u011b d\u016fle\u017eit\u00e9. V\u011bzen\u00edm zazn\u011bla opern\u00ed skladba „Flower Duet“, a ona za\u017eehla plamen l\u00e1sky.<\/p>\n\n\n\n [1] Richard Rohr, Immortal Diamond: The Search for Our True Self<\/u><\/a><\/em> (San Francisco, CA: Jossey-Bass, 2013), 36.<\/p>\n\n\n\n Paula D\u2019Arcy, \u201cA Surrender to Love,\u201d Oneing<\/u><\/em> 5, no. 1, Transformation (Spring 2017): 93\u201394. Available in print<\/u><\/a> and PDF download<\/u><\/a>. <\/p>\n\n\n\n Image credit:<\/u><\/strong> Charlein Garcia, Untitled<\/u><\/em> (detail), 2018, photograph<\/u><\/a>, Philippines, Unsplash, free use<\/u><\/a>. Jenna Keiper, Untitled Leaves<\/u><\/em> (detail), 2020, photograph, New Mexico, used with permission. Charlein Garcia, Untitled<\/u><\/em> (detail), 2018, photograph<\/u><\/a>, Philippines, Unsplash, free use<\/u><\/a>. Jenna Keiper and Leslye Colvin, 2022, triptych art, United States.<\/p>\n\n\n\n This week\u2019s images appear in a form inspired by early Christian\/Catholic triptych art: a threefold form that tells a unified story. <\/p>\n\n\n\n Image inspiration:<\/u><\/strong> The true self is deeper than our egos and eccentricities. At times mirroring the innocence of a child, it awaits our remembering. May we also open, with childlike curiosity, to our own transformation.<\/u><\/em><\/p>\n","protected":false},"excerpt":{"rendered":" D\u0159\u00edve jsem spol\u00e9hala se na star\u00e9 rady a zku\u0161enosti \u2013 na mnoho r\u016fzn\u00fdch koncept\u016f a n\u00e1pad\u016f mysli. S\u00edla l\u00e1sky, kter\u00e1 udr\u017euje \u017eivot, nepot\u0159ebuje \u017e\u00e1dn\u00fd koncept a nesepisuje soubor svat\u00fdch podm\u00ednek, jak j\u00ed dos\u00e1hnout. Sta\u010dilo jen otev\u0159\u00edt sv\u00e9 srdce, moje l\u00e1ska pro\u0161la velkou bolest\u00ed a pomalu zm\u011bnila m\u016fj pohled na \u017eivot. <\/p>\n","protected":false},"author":1,"featured_media":3620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[198],"tags":[359,360],"class_list":["post-3630","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-richard-rohr-ofm-centrum-pro-zivot-a-rozjimani","tag-laska-cesta-k-dusi","tag-obraceni","latest_post"],"_links":{"self":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/3630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3630"}],"version-history":[{"count":1,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/3630\/revisions"}],"predecessor-version":[{"id":3631,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/3630\/revisions\/3631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media\/3620"}],"wp:attachment":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Hudba m\u00e1 moc proniknout do du\u0161e<\/h4>\n\n\n\n
Du\u0161e skr\u00fdv\u00e1 mnoho d\u016fle\u017eit\u00e9ho pro \u017eivot<\/h4>\n\n\n\n
M\u016fj \u017eivot bez vnit\u0159n\u00edho J\u00e1<\/h4>\n\n\n\n
Moje cesta k m\u00e9mu vnit\u0159n\u00edmu J\u00e1<\/h4>\n\n\n\n
Proz\u0159en\u00ed skrze L\u00e1sku<\/h4>\n\n\n\n
Prameny:<\/h5>\n\n\n\n