Otec Richard shrnuje p\u011bt etap zm\u011bn, kter\u00e9 se historicky odehr\u00e1ly v n\u00e1bo\u017eensk\u00fdch a kulturn\u00edch instituc\u00edch. Tyto f\u00e1ze naz\u00fdv\u00e1 v angl.: „P\u011bt M“: lidskost, instituce, pam\u00e1tn\u00edk a vzpom\u00ednky (p.s. m\u016fj nekreativn\u00ed p\u0159eklad) Tento t\u00fdden budeme etapy zkoumat jako inspiraci pro duchovn\u00ed obnovu v na\u0161ich n\u00e1bo\u017eensk\u00fdch komunit\u00e1ch a v na\u0161ich \u017eivotech.<\/em><\/p>\n\n\n\n Zd\u00e1 se, \u017ee mnoho velk\u00fdch v\u011bc\u00ed v historii za\u010d\u00edn\u00e1 jedinou lidskou bytost\u00ed. <\/em>Pokud \u010dlov\u011bk \u0159ekne n\u011bco pln\u00e9ho \u017eivota, co dob\u0159e pojmenuje realitu, poselstv\u00ed se \u010dasto p\u0159esune do druh\u00e9 f\u00e1ze, kdy se stane otcem hnut\u00ed. <\/em>To je obdob\u00ed nejv\u011bt\u0161\u00ed energie. C\u00edrkev je ve sv\u00e9 nejv\u011bt\u0161\u00ed vitalit\u011b jako „Je\u017e\u00ed\u0161ovo hnut\u00ed“ a instituce je pouze prost\u0159edkem pro hnut\u00ed. Je to f\u00e1ze pln\u00e1 pohybu a je v\u017edy velmi vzru\u0161uj\u00edc\u00ed, kreativn\u00ed ale tak\u00e9 riskantn\u00ed.<\/p>\n\n\n\n Riskantn\u00ed je, proto\u017ee Bo\u017e\u00ed kreativita v d\u011bjin\u00e1ch je v\u011bt\u0161\u00ed ne\u017e jak\u00e1koli denominace, jak\u00e1koli kultura nebo schopnost jak\u00e9koli tradice ji vyj\u00e1d\u0159it slovy. Nad touto f\u00e1z\u00ed nem\u00e1me kontrolu. Ale kdy by cht\u011bl, aby to bylo n\u011bco men\u0161\u00edho? Respektovali bychom a milovali Boha, kter\u00e9ho bychom mohli ovl\u00e1dat? To si nemysl\u00edm! P\u0159esto se pom\u011brn\u011b rychle p\u0159esouv\u00e1me z rizikov\u00e9 f\u00e1ze pohybu do f\u00e1ze jak\u00e9hosi stroje (instituce) To je p\u0159edv\u00eddateln\u00e9 a pochopiteln\u00e9.<\/p>\n\n\n\n Institucion\u00e1ln\u00ed nebo strojov\u00e1 f\u00e1ze sm\u011b\u0159ov\u00e1n\u00ed je samoz\u0159ejm\u011b u\u017e m\u00e9n\u011b \u017eiveln\u00e1. To nen\u00ed a\u017e tak \u0161patn\u00e9. Mo\u017en\u00e1 jen pro ty , kte\u0159\u00ed vid\u00ed c\u00edrkev jako c\u00edl s\u00e1m o sob\u011b, a nevid\u00ed v n\u00ed jen pouh\u00fd prost\u0159edek pro p\u016fvodn\u00ed vizi. Pot\u0159ebujeme „m\u00e9n\u011b u\u0161lechtil\u00e9“ \u010d\u00e1sti t\u011bla, aby n\u00e1s v\u0161echny udr\u017eely r\u016fst sm\u011brem k l\u00e1sce (1 Korintsk\u00fdm 12:22-24). Jinak to nejde; ale kdy\u017e si nebudeme v\u011bdomi omezen\u00e9 kapacity stroje, budeme od n\u011bj vy\u017eadovat v\u00edc ne\u017e je mo\u017en\u00e9. D\u011bl\u00e1me z toho pam\u00e1tn\u00edk<\/em>, kter\u00fd se stane uzav\u0159en\u00fdm syst\u00e9mem a kter\u00fd bude fungovat podle sv\u00e9 vlastn\u00ed samoobslu\u017en\u00e9 logiky. Od t\u00e9to chv\u00edle je pak velmi t\u011b\u017ek\u00e9 riskovat pro Boha nebo pro hodnoty evangelia.<\/p>\n\n\n\n Nakonec se tato n\u00e1bo\u017eensk\u00e1 pam\u00e1tka a jej\u00ed \u00fadr\u017eba a s\u00edly pro jej\u00ed zachov\u00e1n\u00ed st\u00e1vaj\u00ed c\u00edlem samy o sob\u011b. Je jednoduch\u00e9 jen do pam\u00e1tn\u00edku vstoupit a uct\u00edvat v n\u011bm, ani\u017e bychom v\u011bd\u011bli pro\u010d. P\u0159estaneme samostatn\u011b tou\u017eit po Bohu . V t\u00e9to f\u00e1zi jsme p\u0159esko\u010dili lidskou a kreativn\u00ed f\u00e1zi a stali jsme se lidmi, kter\u00e9 auto\u0159i Mark Gibbs a T. Ralph Morton nazvali „zamrzl\u00ed Bo\u017e\u00ed lid\u00e9“. [1] Nedost\u00e1v\u00e1 se n\u00e1m \u017e\u00e1dn\u00e9ho v\u011bdom\u00ed, \u017ee jsme Bohem milov\u00e1ni a \u017ee n\u00e1s zve do na\u0161eho vnit\u0159n\u00edho \u010dlov\u011bka k sob\u011b.<\/p>\n\n\n\n V tomto stavu je n\u00e1bo\u017eenstv\u00ed pouze z\u00e1minkou k tomu, aby z\u016fstalo v bezv\u011bdom\u00ed a chr\u00e1nilo jen pam\u011b\u0165 (vzpom\u00ednku) na to \u017ee kdysi <\/em>, byla jeho cesta velk\u00fdm dobrodru\u017estv\u00edm. N\u00e1bo\u017eenstv\u00ed u\u017e nen\u00ed samotn\u00fd \u017eivot ale ve skute\u010dnosti je pouhou n\u00e1hra\u017ekou \u017eivota nebo, co je je\u0161t\u011b hor\u0161\u00ed, \u017eivotu se vyh\u00fdb\u00e1. Hled\u00e1me cestu, chceme odhalit tajemstv\u00ed, jak z\u016fstat v kontaktu s lidskou a kreativn\u00ed sc\u00e9nou a nebyli naivn\u00ed ohledn\u011b nutnosti n\u011bkter\u00fdch instituc\u00ed a pot\u0159eby milovat pam\u00e1tky. Bu\u010fme k sob\u011b up\u0159\u00edmn\u00ed: v\u0161ichni milujeme pam\u00e1tky, kdy\u017e jsou to pomn\u00edky na\u0161eho<\/em> \u017eivota, na\u0161\u00ed<\/em> cesty, nebo na\u0161\u00ed<\/em> instituce.<\/p>\n\n\n\n [1] Mark Gibbs and T. Ralph Morton, God\u2019s Frozen People<\/u><\/em> (London: Collins, 1964).<\/p>\n\n\n\n Adapted from Richard Rohr, The Wisdom Pattern: Order, Disorder, Reorder<\/u><\/a><\/em> (Cincinnati, OH: Franciscan Media, 2001, 2020), 92\u201395.<\/p>\n\n\n\n Image credit:<\/u><\/strong> Jenna Keiper, Untitled Church I<\/u><\/em> (detail), 2020, photograph, New Mexico, used with permission. Toni Frissell, Minnie Burden, barefoot, riding a horse<\/u><\/em> (detail), 1964, photograph, Library of Congress<\/u><\/a>, public domain. Jenna Keiper, Untitled Window<\/u><\/em> (detail), 2020, photograph, New Mexico, used with permission. Jenna Keiper and Leslye Colvin, 2022, triptych art, United States.<\/p>\n\n\n\n This week’s images appear in a form inspired by early Christian\/Catholic triptych art: a threefold form that tells a unified story. <\/p>\n\n\n\n Image inspiration:<\/u><\/strong> The left and right photos are of stone monuments: solid and unmoving. Between them the fresh energy and movement of a horse and rider breathe life into this trio of images. How can we stay connected to the energetic, movement origins of our religions?<\/u><\/em><\/p>\n\n\n\nNa po\u010d\u00e1tku je kreativita \u010dlov\u011bka spolu s Duchem Bo\u017e\u00edm<\/h4>\n\n\n\n
Kreativn\u00ed spole\u010denstv\u00ed v\u0161ak v sob\u011b nese rizika a proto…<\/h4>\n\n\n\n
Je pot\u0159eba \u0159\u00e1d, instituce<\/h4>\n\n\n\n
Z instituce se ale nesm\u00ed st\u00e1t uct\u00edvan\u00fd pam\u00e1tn\u00edk<\/h4>\n\n\n\n
Pam\u00e1tn\u00edk je pro duchovn\u00ed lenochy, ale lze jej tak\u00e9 kreativn\u011b reformovat<\/h4>\n\n\n\n
Prameny:<\/h5>\n\n\n\n