{"id":4210,"date":"2022-05-09T07:52:18","date_gmt":"2022-05-09T05:52:18","guid":{"rendered":"https:\/\/www.frantiskani.cz\/?p=4210"},"modified":"2022-05-09T07:53:08","modified_gmt":"2022-05-09T05:53:08","slug":"bozsky-tanec","status":"publish","type":"post","link":"https:\/\/www.frantiskani.cz\/index.php\/2022\/05\/09\/bozsky-tanec\/","title":{"rendered":"Mystick\u00e9 v\u00e1ben\u00ed"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Devaten\u00e1ct\u00fd t\u00fdden: Temnota z\u00e1\u0159\u00ed, prohlubuj\u00edc\u00ed se l\u00e1skou<\/h5>\n\n\n\n<p>&nbsp;<br><em>V nov\u00e9 knize Mirabai Starrov\u00e9 Svat\u00fd Jan od K\u0159\u00ed\u017ee: Jana od K\u0159\u00ed\u017ee (1542-1591) vyzdvihuje \u010dty\u0159i hlavn\u00ed t\u00e9mata: touhu, ml\u010den\u00ed, nepozn\u00e1n\u00ed a l\u00e1sku. Meditace tohoto t\u00fddne se zam\u011b\u0159uj\u00ed na tato \u010dty\u0159i trval\u00e1 mystick\u00e1 t\u00e9mata. Za\u010d\u00edn\u00e1me \u00favahou otce Richarda o jeho vlastn\u00ed zku\u0161enosti s Bohem:<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-layzr=\"https:\/\/www.frantiskani.cz\/wp-content\/uploads\/2022\/05\/Mirabai-Starrove.jpg\" alt=\"\" class=\"wp-image-4211\" width=\"105\" height=\"81\"\/><figcaption><em>Mirabai Starr<\/em><\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Milostn\u00fd tanec s Bohem<\/h4>\n\n\n\n<p>Milostn\u00fd vztah mezi Bohem a \u010dlov\u011bkem je skute\u010dn\u011b vz\u00e1jemn\u00fdm tancem. N\u011bkdy, abychom mohli vykro\u010dit vp\u0159ed, mus\u00ed druh\u00fd partner trochu ustoupit. Toto odstoupen\u00ed je jen na okam\u017eik a jeho \u00fa\u010delem je p\u0159it\u00e1hnout n\u00e1s k n\u011bmu nebo k n\u00ed &#8211; ale v danou chv\u00edli to tak nevypad\u00e1. M\u00e1me pocit, \u017ee n\u00e1\u0161 partner ustupuje. Nebo n\u00e1m to prost\u011b p\u0159ipad\u00e1 jako utrpen\u00ed.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">B\u016fh ustoup\u00ed do temnoty<\/h4>\n\n\n\n<p>I B\u016fh ustoup\u00ed  &#8222;skr\u00fdv\u00e1 svou tv\u00e1\u0159&#8220;, jak to naz\u00fdvalo mnoho mystik\u016f a spisovatel\u016f. B\u016fh vytv\u00e1\u0159\u00ed vakuum, kter\u00e9 m\u016f\u017ee vyplnit jen B\u016fh. B\u016fh v tu dobu \u010dek\u00e1, zda budeme sv\u00e9mu Bo\u017e\u00edmu partnerovi d\u016fv\u011b\u0159ovat, aby nakonec zaplnil prostor v n\u00e1s, kter\u00fd se t\u00edm stane je\u0161t\u011b prostorn\u011bj\u0161\u00edm a vn\u00edmav\u011bj\u0161\u00edm. To je \u00fast\u0159edn\u00ed t\u00e9ma temnoty, nutn\u00fdch pochybnost\u00ed nebo toho, co mystici naz\u00fdvali &#8222;sta\u017een\u00ed Bo\u017e\u00ed l\u00e1sky&#8220;. <\/p>\n\n\n\n<h4 class=\"wp-block-heading\">B\u016fh ustoup\u00ed do temnoty aby nab\u00eddl v\u011bt\u0161\u00ed intimitu<\/h4>\n\n\n\n<p>V\u011bd\u011bli, \u017ee to, co se jev\u00ed jako utrpen\u00ed, deprese, zbyte\u010dnost &#8211; okam\u017eiky, kdy se B\u016fh st\u00e1hl -, jsou \u010dasto hlubok\u00e9 akty d\u016fv\u011bry a pozv\u00e1n\u00ed k intimit\u011b ze strany Boha. Na vnit\u0159n\u00ed cest\u011b du\u0161e se setk\u00e1v\u00e1me s Bohem, kter\u00fd komunikuje s na\u0161\u00edm nejhlub\u0161\u00edm j\u00e1, kter\u00fd \u010dlov\u011bka rozv\u00edj\u00ed, dovoluje mu chyby a odpou\u0161t\u00ed mu je. Pr\u00e1v\u011b toto d\u00e1v\u00e1n\u00ed a p\u0159ij\u00edm\u00e1n\u00ed a v\u011bdom\u00ed, \u017ee k d\u00e1v\u00e1n\u00ed a p\u0159ij\u00edm\u00e1n\u00ed bude doch\u00e1zet, \u010din\u00ed Boha jako Miluj\u00edc\u00edho tak skute\u010dn\u00fdm.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">B\u016fh n\u00e1s t\u00edm zve na hlubinu<\/h4>\n\n\n\n<p><em>Zku\u0161enost mystika dvac\u00e1t\u00e9ho stolet\u00ed Pierra Teilharda de Chardin je ozv\u011bnou zku\u0161enosti Jana od K\u0159\u00ed\u017ee o \u010dty\u0159i stolet\u00ed d\u0159\u00edve:<\/em><br>B\u016fh se nenab\u00edz\u00ed na\u0161im kone\u010dn\u00fdm bytostem jako v\u011bc, kter\u00e1 je cel\u00e1 a p\u0159ipraven\u00e1 k p\u0159ijet\u00ed. B\u016fh je pro n\u00e1s v\u011b\u010dn\u00fdm objevov\u00e1n\u00edm a v\u011b\u010dn\u00fdm r\u016fstem. \u010c\u00edm v\u00edce si mysl\u00edme, \u017ee Bohu rozum\u00edme, t\u00edm v\u00edce se n\u00e1m B\u016fh zjevuje jinak. \u010c\u00edm v\u00edce si mysl\u00edme, \u017ee Boha dr\u017e\u00edme, t\u00edm v\u00edce se B\u016fh vzdaluje a vtahuje n\u00e1s do hlubin sebe sama. [1]<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Osobn\u00ed zku\u0161enost:<\/h4>\n\n\n\n<p><em>Otec Richard uzav\u00edr\u00e1:<\/em><br>Mus\u00edm k v\u00e1m b\u00fdt up\u0159\u00edmn\u00fd, pokud jde o m\u016fj vlastn\u00ed \u017eivot. Posledn\u00edch deset let jsem m\u011bl jen m\u00e1lo duchovn\u00edch &#8222;pocit\u016f&#8220;, ani \u00fat\u011bchy, ani opu\u0161t\u011bnosti. V\u011bt\u0161inu dn\u00ed jsem se musel prost\u011b rozhodnout v\u011b\u0159it, milovat a d\u016fv\u011b\u0159ovat. V\u00edm, \u017ee v tomto ohledu stoj\u00edm v dobr\u00e9 spole\u010dnosti Teilharda, Jana od K\u0159\u00ed\u017ee, Matky Terezy a bezpo\u010dtu dal\u0161\u00edch mystik\u016f a sv\u011btc\u016f a mo\u017en\u00e1 i n\u011bkter\u00fdch z v\u00e1s.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Krok do temnoty je krokem ke sv\u011btlu l\u00e1sky<\/h4>\n\n\n\n<p><em>Ale B\u016fh m\u011b odm\u011b\u0148uje za to, \u017ee jsem se nechal odm\u011bnit Bohem:<br>To je bo\u017esk\u00fd dvojstup, kter\u00e9mu \u0159\u00edk\u00e1me milost:<br>D\u011bl\u00e1m to, a p\u0159esto to ned\u011bl\u00e1m;<br>D\u011bje se to mn\u011b, a p\u0159ece to d\u011bl\u00e1m i j\u00e1.<br>B\u016fh v\u0161ak v tomto tanci, kter\u00fd pozn\u00e1me a\u017e s odstupem \u010dasu, n\u00e1s v\u017edy vede.<\/em><br><br>Translated with www.DeepL.com\/Translator (free version)<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Prameny:<\/h5>\n\n\n\n<p>[1] Pierre Teilhard de Chardin, <em><u>The Divine Milieu: An Essay on the Interior Life<\/u><\/em> (New York: Harper and Brothers, 1960), 119. Note: some changes made for inclusive language.<\/p>\n\n\n\n<p>Adapted from Richard Rohr, <em><a href=\"https:\/\/email.cac.org\/t\/d-l-fjyhjhy-tlkrhyidn-r\/\"><u>The Universal Christ: How a Forgotten Reality Can Change Everything We See, Hope for, and Believe<\/u><\/a><\/em> (New York: Convergent, 2019, 2021), 78\u201379.&nbsp;<\/p>\n\n\n\n<p><strong>Image credit:<\/strong> Jenna Keiper, <em>Untitled Window<\/em> (detail), 2021, photograph, New Mexico, used with permission. Dorothea Lange, <em>Village Dwelling<\/em> (detail), 1936, <a href=\"https:\/\/email.cac.org\/t\/d-l-fjyhjhy-tlkrhyidn-y\/\"><u>photograph<\/u><\/a>, Library of Congress, public domain. Jenna Keiper, <em>Untitled Window II<\/em> (detail), 2021, photograph, New Mexico, used with permission. Jenna Keiper and Leslye Colvin, 2022, triptych art, United States. <a href=\"https:\/\/email.cac.org\/t\/d-l-fjyhjhy-tlkrhyidn-j\/\"><u>Click here to enlarge image.<\/u><\/a><\/p>\n\n\n\n<p>This week\u2019s images appear in a form inspired by early Christian\/Catholic triptych art: a threefold form that tells a unified story.&nbsp;<\/p>\n\n\n\n<p><strong>Image inspiration:<\/strong> <em>The house in the center image is shut against the harsh sun. It is closed and dark inside. Yet darkness can hold deep beauty and its own kind of light, creating conditions for healing and illumination. After our dark night we may be invited to gently lift the blinds.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I B\u016fh ustoup\u00ed  &#8222;skr\u00fdv\u00e1 svou tv\u00e1\u0159&#8220;, jak to naz\u00fdvalo mnoho mystik\u016f a spisovatel\u016f. B\u016fh vytv\u00e1\u0159\u00ed vakuum, kter\u00e9 m\u016f\u017ee vyplnit jen B\u016fh. B\u016fh v tu dobu \u010dek\u00e1, zda budeme sv\u00e9mu Bo\u017e\u00edmu partnerovi d\u016fv\u011b\u0159ovat, aby nakonec zaplnil prostor v n\u00e1s, kter\u00fd se t\u00edm stane je\u0161t\u011b prostorn\u011bj\u0161\u00edm a vn\u00edmav\u011bj\u0161\u00edm. To je \u00fast\u0159edn\u00ed t\u00e9ma temnoty, nutn\u00fdch pochybnost\u00ed nebo toho, co mystici naz\u00fdvali &#8222;sta\u017een\u00ed Bo\u017e\u00ed l\u00e1sky&#8220;. <\/p>\n","protected":false},"author":1,"featured_media":4212,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[198],"tags":[457,459,458],"class_list":["post-4210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-richard-rohr-ofm-centrum-pro-zivot-a-rozjimani","tag-bozsky-tanec","tag-sv-jan-od-krize","tag-temna-noc","latest_post"],"_links":{"self":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/comments?post=4210"}],"version-history":[{"count":2,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4210\/revisions"}],"predecessor-version":[{"id":4214,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4210\/revisions\/4214"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media\/4212"}],"wp:attachment":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media?parent=4210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/categories?post=4210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/tags?post=4210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}