B\u016fh je v\u017edy milenec ne dikt\u00e1tor<\/h4>\n\n\n\n
Lid\u00e9, kte\u0159\u00ed dob\u0159e znaj\u00ed Boha – mystici, poustevn\u00edci, ti, kte\u0159\u00ed riskuj\u00ed v\u0161e, aby na\u0161li Boha – se v\u017edy setk\u00e1vaj\u00ed s milencem, nikoliv s dikt\u00e1torem. Boha nikdy nenajdeme jako n\u00e1silnick\u00e9ho otce nebo tyranskou matku; B\u016fh je v\u017edy milenec v\u011bt\u0161\u00ed, ne\u017e jsme se odv\u00e1\u017eili doufat. Jak moc se li\u0161\u00ed od „spr\u00e1vce \u00fa\u010dtu“, kter\u00e9ho v\u011bt\u0161ina lid\u00ed z\u0159ejm\u011b uct\u00edv\u00e1. B\u016fh je milenec, kter\u00fd v\u0161echno p\u0159ij\u00edm\u00e1 a odpou\u0161t\u00ed.\u202f<\/p>\n\n\n\n
Hluboce n\u00e1s miluje<\/h4>\n\n\n\n
Kdy\u017e vstoup\u00edme do jeho p\u0159\u00edtomnosti, najdeme n\u011bkoho, kdo nen\u00ed proti n\u00e1m, ale n\u011bkoho, kdo je rozhodn\u011b pro n\u00e1s! Mystikov\u00e9 pozn\u00e1vaj\u00ed, \u017ee je dr\u017e\u00ed n\u011bkdo jin\u00fd. Lid\u00e9, kte\u0159\u00ed se modl\u00ed, v\u017edycky \u0159\u00edkaj\u00ed: „N\u011bkdo je pro m\u011b v\u00edc ne\u017e j\u00e1 s\u00e1m pro sebe.“ To je pro n\u011b to prav\u00e9. Modlitba je b\u00fdt milov\u00e1n na hlubok\u00e9, sladk\u00e9 \u00farovni. Douf\u00e1m, \u017ee ka\u017ed\u00fd n\u011bkdy poc\u00edtil takovou intimitu o samot\u011b s Bohem. Slibuji, \u017ee je dostupn\u00e1 v\u0161em. Mo\u017en\u00e1, \u017ee mnoz\u00ed z n\u00e1s jen pot\u0159ebuj\u00ed, aby jim n\u011bkdo \u0159ekl, \u017ee pr\u00e1v\u011b tohle maj\u00ed o\u010dek\u00e1vat a hledat. Boj\u00edme se o to po\u017e\u00e1dat, boj\u00edme se to hledat. P\u0159ipad\u00e1 n\u00e1m to troufal\u00e9. Nem\u016f\u017eeme v\u011b\u0159it, \u017ee takov\u00e1 l\u00e1ska existuje. Ale ona existuje. <\/p>\n\n\n\n
Otec Richard na\u0161el v posledn\u00edch n\u011bkolika letech velkou inspiraci ve spisech \u017eidovsk\u00e9 mysti\u010dky Etty Hillesum (1914-1943). Ve sv\u00fdch dopisech z tranzitn\u00edho t\u00e1bora Westerbork Hillesumov\u00e1 popisuje \u00fat\u011bchu, kterou nach\u00e1z\u00ed v neust\u00e1l\u00e9 Bo\u017e\u00ed p\u0159\u00edtomnosti:\u00a0<\/em><\/p>\n\n\n\n Ty jsi m\u011b tak obohatil, \u00f3 Bo\u017ee, pros\u00edm, dovol mi rozd\u011blit se o Tvou kr\u00e1su s otev\u0159en\u00fdma rukama. M\u016fj \u017eivot se stal nep\u0159etr\u017eit\u00fdm dialogem s Tebou, \u00f3 Bo\u017ee, jedn\u00edm velk\u00fdm dialogem. N\u011bkdy, kdy\u017e stoj\u00edm v n\u011bjak\u00e9m kout\u011b t\u00e1bora, nohama stoj\u00edm na Tv\u00e9 zemi a o\u010di m\u00e1m pozvednut\u00e9 k Tv\u00e9mu nebi, mi n\u011bkdy po tv\u00e1\u0159i st\u00e9kaj\u00ed slzy, slzy hlubok\u00e9ho dojet\u00ed a vd\u011b\u010dnosti. Tak\u00e9 v noci, kdy\u017e le\u017e\u00edm ve sv\u00e9 posteli a odpo\u010d\u00edv\u00e1m v Tob\u011b, \u00f3 Bo\u017ee, mi po tv\u00e1\u0159i st\u00e9kaj\u00ed slzy vd\u011b\u010dnosti, a to je moje modlitba.<\/p>\n\n\n\n \u00a0U\u017e n\u011bkolik dn\u00ed jsem stra\u0161n\u011b unaven\u00e1, ale i to p\u0159ejde. V\u011bci p\u0159ich\u00e1zej\u00ed a odch\u00e1zej\u00ed v hlub\u0161\u00edm rytmu a lid\u00e9 se mus\u00ed nau\u010dit naslouchat; to je to nejd\u016fle\u017eit\u011bj\u0161\u00ed, co se mus\u00edme v tomto \u017eivot\u011b nau\u010dit. Nevyz\u00fdv\u00e1m T\u011b, Bo\u017ee, m\u016fj \u017eivot je jeden velk\u00fd dialog s Tebou. Mo\u017en\u00e1 se nikdy nestanu velk\u00fdm um\u011blcem, jak\u00fdm bych opravdu cht\u011bla b\u00fdt, ale v Tob\u011b, Bo\u017ee, jsem ji\u017e jist\u00e1. N\u011bkdy se sna\u017e\u00edm vyloudit mal\u00e9 hloubky a nejist\u00e9 pov\u00eddky, ale v\u017edycky skon\u010d\u00edm u jednoho jedin\u00e9ho slova: B\u016fh. A to \u0159\u00edk\u00e1 v\u0161echno a nic v\u00edc nen\u00ed pot\u0159eba. A v\u0161echny m\u00e9 tv\u016fr\u010d\u00ed s\u00edly se prom\u00edtaj\u00ed do vnit\u0159n\u00edch dialog\u016f s Tebou. Tlukot m\u00e9ho srdce se prohlubuje, je aktivn\u011bj\u0161\u00ed, a p\u0159esto klidn\u011bj\u0161\u00ed, a j\u00e1 jako bych si celou dobu ukl\u00e1dala vnit\u0159n\u00ed bohatstv\u00ed. [1]\u00a0<\/p>\n\n\n\n P\u0159elo\u017eeno deepl.com, nadpisy p\u0159ekladatel<\/em><\/p>\n\n\n\n [1] Etty Hillesum, An Interrupted Life: The Diaries, 1941\u20131943; and Letters from Westerbork<\/em>, trans. Arnold J. Pomerans (New York: Metropolitan Books, 1996), 332. <\/p>\n\n\n\n Adapted from Richard Rohr, Everything Belongs: The Gift of Contemplative Prayer<\/a><\/em>, rev. ed.\u202f(New York: Crossroad Publishing, 2003), 131, 134, 135. <\/p>\n\n\n\n Image credit:<\/strong> Carrie Grace Littauer, Untitled 11<\/em> (detail), 2022, photograph, Colorado, used with permission. Arthur Allen, Untitled 4<\/em> (detail), 2022, photograph, France, used with permission. Claudia Retter, Florence Morning<\/em> (detail), photograph, used with permission. Jenna Keiper & Leslye Colvin, 2022, triptych art, United States. Click here<\/a> to enlarge image.<\/p>\n\n\n\n This week\u2019s images appear in a form inspired by early Christian\/Catholic triptych art: a threefold form that tells a unified story.\u202f <\/p>\n\n\n\n Image inspiration:<\/strong> She sees the leaves in the ice, gathers the small, unnoticed things, and cherishes her findings. We accept the mystic\u2019s invitation to sit and ponder.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" B\u016fh. A to \u0159\u00edk\u00e1 v\u0161echno a nic v\u00edc nen\u00ed pot\u0159eba. A v\u0161echny m\u00e9 tv\u016fr\u010d\u00ed s\u00edly se prom\u00edtaj\u00ed do vnit\u0159n\u00edch dialog\u016f s Tebou. Tlukot m\u00e9ho srdce se prohlubuje, je aktivn\u011bj\u0161\u00ed, a p\u0159esto klidn\u011bj\u0161\u00ed, a j\u00e1 jako bych si celou dobu ukl\u00e1dala vnit\u0159n\u00ed bohatstv\u00ed.<\/p>\n","protected":false},"author":1,"featured_media":4791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[198],"tags":[541],"class_list":["post-4789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-richard-rohr-ofm-centrum-pro-zivot-a-rozjimani","tag-buh-milenec","latest_post"],"_links":{"self":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/comments?post=4789"}],"version-history":[{"count":1,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4789\/revisions"}],"predecessor-version":[{"id":4792,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4789\/revisions\/4792"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media\/4791"}],"wp:attachment":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media?parent=4789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/categories?post=4789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/tags?post=4789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}B\u016fh n\u00e1s ka\u017ed\u00fd den obohacuje<\/h4>\n\n\n
B\u016fh s n\u00e1mi vede vnit\u0159n\u00ed dialog<\/h4>\n\n\n\n
Prameny:<\/h5>\n\n\n\n