Zti\u0161it my\u0161lenky a naslouchat smysly<\/h3>\n\n\n\n![\"\"](\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\")
Valarie Kaur<\/em><\/figcaption><\/figure>\n<\/div>\n\n\nHlubok\u00e9 naslouch\u00e1n\u00ed je aktem odevzd\u00e1n\u00ed se. Riskujeme, \u017ee n\u00e1s to, co sly\u0161\u00edme, zm\u011bn\u00ed. Kdy\u017e opravdu chci sly\u0161et p\u0159\u00edb\u011bh druh\u00e9ho \u010dlov\u011bka, sna\u017e\u00edm se nechat sv\u00e9 p\u0159edsudky za dve\u0159mi a p\u0159ibl\u00ed\u017eit se jeho vypr\u00e1v\u011bn\u00ed. Kdy\u017e mluv\u00ed druz\u00ed, v\u017edy \u010d\u00e1ste\u010dn\u011b naslouch\u00e1m my\u0161lenk\u00e1m ve sv\u00e9 hlav\u011b, tak\u017ee v\u011bdom\u011b zti\u0161\u00edm sv\u00e9 my\u0161lenky a za\u010dnu naslouchat sv\u00fdmi smysly. . . .<\/p>\n\n\n\n
Co je d\u016fle\u017eit\u00e9 pro druh\u00e9ho?<\/h4>\n\n\n\n
Nejd\u016fle\u017eit\u011bj\u0161\u00ed \u010d\u00e1st\u00ed naslouch\u00e1n\u00ed je pt\u00e1t se, co je pro druh\u00e9ho \u010dlov\u011bka v s\u00e1zce. Sna\u017e\u00edm se pochopit, co je pro n\u011bj d\u016fle\u017eit\u00e9, ne co si mysl\u00edm, \u017ee je d\u016fle\u017eit\u00e9. N\u011bkdy se v jejich p\u0159\u00edb\u011bhu za\u010dnu ztr\u00e1cet. Jakmile si v\u0161imnu, \u017ee se c\u00edt\u00edm odv\u00e1zan\u00e1, sna\u017e\u00edm se st\u00e1hnout zp\u011bt do sv\u00e9ho t\u011bla, jako bych se vracela dom\u016f. Jak \u0159\u00edk\u00e1 Hannah Arendtov\u00e1 [1906-1975]: „\u010clov\u011bk tr\u00e9nuje svou p\u0159edstavivost, aby se vydal na n\u00e1v\u0161t\u011bvu“. [1] Po skon\u010den\u00ed p\u0159\u00edb\u011bhu se mus\u00edme vr\u00e1tit na svou k\u016f\u017ei, do sv\u00e9ho pohledu na sv\u011bt, a v\u0161imnout si, jak n\u00e1s n\u00e1v\u0161t\u011bva zm\u011bnila. \u00a0
Kaur ch\u00e1pe komplikovanou povahu naslouch\u00e1n\u00ed t\u011bm, kter\u00e9 pova\u017eujeme za sv\u00e9 n\u00e1bo\u017eensk\u00e9, kulturn\u00ed a politick\u00e9 „protivn\u00edky“, a emocion\u00e1ln\u00ed da\u0148, kterou si to vyb\u00edr\u00e1: \u00a0<\/em><\/p>\n\n\n\nC\u00edlem naslouch\u00e1n\u00ed nen\u00ed empatie ale porozumn\u011bn\u00ed<\/h4>\n\n\n\n
Ukazuje se, \u017ee je nesm\u00edrn\u011b obt\u00ed\u017en\u00e9 sbl\u00ed\u017eit se s n\u011bk\u00fdm, kdo je v\u00e1m naprosto odporn\u00fd. Jak naslouchat n\u011bkomu, jeho\u017e p\u0159esv\u011bd\u010den\u00ed je odporn\u00e9? Nebo mne rozzu\u0159\u00ed? Nebo mne d\u011bs\u00ed? … Mezi n\u00e1mi a doty\u010dn\u00fdm se vytvo\u0159\u00ed neviditeln\u00e1 ze\u010f, propast, kterou se zd\u00e1 b\u00fdt nemo\u017en\u00e9 p\u0159ekro\u010dit. Ani nev\u00edme, pro\u010d bychom se ji m\u011bli sna\u017eit p\u0159ekro\u010dit. . . . V t\u011bchto chv\u00edl\u00edch si m\u016f\u017eeme uv\u011bdomit, \u017ee c\u00edlem naslouch\u00e1n\u00ed nen\u00ed c\u00edtit empatii k na\u0161im oponent\u016fm, potvrzovat jejich my\u0161lenky nebo dokonce m\u011bnit jejich n\u00e1zor v dan\u00e9m okam\u017eiku. Na\u0161\u00edm c\u00edlem je jim porozum\u011bt. . . . \u00a0<\/p>\n\n\n\n
Kdy\u017e je naslouch\u00e1n\u00ed t\u011b\u017ek\u00e9, chv\u00edli se soust\u0159ed\u00edm na sebe<\/h4>\n\n\n\n
Kdy\u017e je naslouch\u00e1n\u00ed t\u011b\u017ek\u00e9, soust\u0159ed\u00edm se na dal\u0161\u00ed n\u00e1dech. V\u0161\u00edm\u00e1m si pocit\u016f ve sv\u00e9m t\u011ble: tepla, sev\u0159en\u00ed a stah\u016f. Vn\u00edm\u00e1m p\u016fdu pod nohama. Jsem v bezpe\u010d\u00ed? Pokud ano, z\u016fstanu a znovu zpomal\u00edm dech, zklidn\u00edm mysl a uvoln\u00edm tlak, kter\u00fd m\u011b tla\u010d\u00ed k obran\u011b sv\u00e9 pozice. Sna\u017e\u00edm se p\u0159em\u00fd\u0161let o p\u0159\u00edb\u011bhu t\u00e9to osoby a o mo\u017en\u00e9m zran\u011bn\u00ed v n\u00ed. P\u0159em\u00fd\u0161l\u00edm o up\u0159\u00edmn\u00e9 ot\u00e1zce a sna\u017e\u00edm se z\u016fstat zv\u011bdav\u00fd dostate\u010dn\u011b dlouho na to, aby m\u011b to, co sly\u0161\u00edm, zm\u011bnilo.<\/p>\n\n\n\n
Naslouchat neznamen\u00e1 souhlasit<\/h4>\n\n\n\n
Mo\u017en\u00e1, jen mo\u017en\u00e1, se m\u016fj oponent na opl\u00e1tku za\u010dne zaj\u00edmat o m\u011b, bude mi kl\u00e1st ot\u00e1zky a naslouchat m\u00e9mu p\u0159\u00edb\u011bhu. Mo\u017en\u00e1 se jejich n\u00e1zory za\u010dnou rozpadat a otev\u0159ou se jim p\u0159itom nov\u00e9 obzory. . . . Ale mo\u017en\u00e1 tak\u00e9 ne. Na tom nez\u00e1le\u017e\u00ed, pokud je hlavn\u00edm c\u00edlem naslouch\u00e1n\u00ed prohlouben\u00ed m\u00e9ho vlastn\u00edho porozum\u011bn\u00ed. Naslouch\u00e1n\u00ed nep\u0159izn\u00e1v\u00e1 druh\u00e9 stran\u011b legitimitu. Ud\u011bluje j\u00ed lidskost – a zachov\u00e1v\u00e1 tu na\u0161i.
Translated with www.DeepL.com\/Translator (free version), mezinadpisy vlo\u017eil p\u0159ekladatel<\/em><\/p>\n\n\n\nPrameny:<\/h5>\n\n\n\n
[1] Hannah Arendt, Lectures on Kant\u2019s Political Philosophy<\/u><\/em>, ed. Ronald Beiner (Chicago, IL: University of Chicago Press, 1992), 43. <\/p>\n\n\n\nValarie Kaur,\u202fSee No Stranger: A Memoir and Manifesto of Revolutionary Love<\/u><\/em>\u202f(New York: One World, 2020), 143\u2013144, 156, 157. <\/p>\n\n\n\n Image credit:<\/u><\/strong> Claudia Retter, Caroline\u2019s Porch<\/u><\/em> (detail), photograph, used with permission. Claudia Retter, Lynn\u2019s Tomatoes<\/u><\/em> (detail), photograph, used with permission. Claudia Retter, Micah\u2019s Room<\/u><\/em> (detail), photograph, used with permission. Jenna Keiper & Leslye Colvin, 2022, triptych art, United States. Click here to enlarge the image.<\/u><\/a> <\/p>\n\n\n\nThis week\u2019s images by Claudia Retter appear in a form inspired by early Christian\/Catholic triptych art: a threefold form that tells a unified story.\u202fThis year we invited a few photographers, including Claudia, to share their vision with us in an artistic exploration for the Daily Meditations. The inspiration questions we asked each artist to create from were: How do you as an artist connect to and engage with (S)spirit and\/or tradition(s)? How can we translate deeper truths through a lens? and How can we show our inherent connectedness (of humans, nature, other creatures, etc.) through imagery? <\/p>\n\n\n\n
Image inspiration:<\/strong> Our eyes are so often drawn to grand majesties – a vivid sunset or an expansive landscape – but the smallest of things has value, a story of its own, a place in the world.<\/em> \u2014Claudia Retter<\/p>\n","protected":false},"excerpt":{"rendered":"Hlavn\u00edm c\u00edlem naslouch\u00e1n\u00ed prohlouben\u00ed m\u00e9ho vlastn\u00edho porozum\u011bn\u00ed. Naslouch\u00e1n\u00ed nep\u0159izn\u00e1v\u00e1 druh\u00e9 stran\u011b legitimitu. Ud\u011bluje j\u00ed lidskost – a zachov\u00e1v\u00e1 tu na\u0161i.<\/p>\n","protected":false},"author":1,"featured_media":4829,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[198],"tags":[554,555],"class_list":["post-4834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-richard-rohr-ofm-centrum-pro-zivot-a-rozjimani","tag-naslouchat","tag-porozumeni","latest_post"],"_links":{"self":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/comments?post=4834"}],"version-history":[{"count":1,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4834\/revisions"}],"predecessor-version":[{"id":4836,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4834\/revisions\/4836"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media\/4829"}],"wp:attachment":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media?parent=4834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/categories?post=4834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/tags?post=4834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Hlubok\u00e9 naslouch\u00e1n\u00ed je aktem odevzd\u00e1n\u00ed se. Riskujeme, \u017ee n\u00e1s to, co sly\u0161\u00edme, zm\u011bn\u00ed. Kdy\u017e opravdu chci sly\u0161et p\u0159\u00edb\u011bh druh\u00e9ho \u010dlov\u011bka, sna\u017e\u00edm se nechat sv\u00e9 p\u0159edsudky za dve\u0159mi a p\u0159ibl\u00ed\u017eit se jeho vypr\u00e1v\u011bn\u00ed. Kdy\u017e mluv\u00ed druz\u00ed, v\u017edy \u010d\u00e1ste\u010dn\u011b naslouch\u00e1m my\u0161lenk\u00e1m ve sv\u00e9 hlav\u011b, tak\u017ee v\u011bdom\u011b zti\u0161\u00edm sv\u00e9 my\u0161lenky a za\u010dnu naslouchat sv\u00fdmi smysly. . . .<\/p>\n\n\n\n
Co je d\u016fle\u017eit\u00e9 pro druh\u00e9ho?<\/h4>\n\n\n\n
Nejd\u016fle\u017eit\u011bj\u0161\u00ed \u010d\u00e1st\u00ed naslouch\u00e1n\u00ed je pt\u00e1t se, co je pro druh\u00e9ho \u010dlov\u011bka v s\u00e1zce. Sna\u017e\u00edm se pochopit, co je pro n\u011bj d\u016fle\u017eit\u00e9, ne co si mysl\u00edm, \u017ee je d\u016fle\u017eit\u00e9. N\u011bkdy se v jejich p\u0159\u00edb\u011bhu za\u010dnu ztr\u00e1cet. Jakmile si v\u0161imnu, \u017ee se c\u00edt\u00edm odv\u00e1zan\u00e1, sna\u017e\u00edm se st\u00e1hnout zp\u011bt do sv\u00e9ho t\u011bla, jako bych se vracela dom\u016f. Jak \u0159\u00edk\u00e1 Hannah Arendtov\u00e1 [1906-1975]: „\u010clov\u011bk tr\u00e9nuje svou p\u0159edstavivost, aby se vydal na n\u00e1v\u0161t\u011bvu“. [1] Po skon\u010den\u00ed p\u0159\u00edb\u011bhu se mus\u00edme vr\u00e1tit na svou k\u016f\u017ei, do sv\u00e9ho pohledu na sv\u011bt, a v\u0161imnout si, jak n\u00e1s n\u00e1v\u0161t\u011bva zm\u011bnila. \u00a0 Ukazuje se, \u017ee je nesm\u00edrn\u011b obt\u00ed\u017en\u00e9 sbl\u00ed\u017eit se s n\u011bk\u00fdm, kdo je v\u00e1m naprosto odporn\u00fd. Jak naslouchat n\u011bkomu, jeho\u017e p\u0159esv\u011bd\u010den\u00ed je odporn\u00e9? Nebo mne rozzu\u0159\u00ed? Nebo mne d\u011bs\u00ed? … Mezi n\u00e1mi a doty\u010dn\u00fdm se vytvo\u0159\u00ed neviditeln\u00e1 ze\u010f, propast, kterou se zd\u00e1 b\u00fdt nemo\u017en\u00e9 p\u0159ekro\u010dit. Ani nev\u00edme, pro\u010d bychom se ji m\u011bli sna\u017eit p\u0159ekro\u010dit. . . . V t\u011bchto chv\u00edl\u00edch si m\u016f\u017eeme uv\u011bdomit, \u017ee c\u00edlem naslouch\u00e1n\u00ed nen\u00ed c\u00edtit empatii k na\u0161im oponent\u016fm, potvrzovat jejich my\u0161lenky nebo dokonce m\u011bnit jejich n\u00e1zor v dan\u00e9m okam\u017eiku. Na\u0161\u00edm c\u00edlem je jim porozum\u011bt. . . . \u00a0<\/p>\n\n\n\n Kdy\u017e je naslouch\u00e1n\u00ed t\u011b\u017ek\u00e9, soust\u0159ed\u00edm se na dal\u0161\u00ed n\u00e1dech. V\u0161\u00edm\u00e1m si pocit\u016f ve sv\u00e9m t\u011ble: tepla, sev\u0159en\u00ed a stah\u016f. Vn\u00edm\u00e1m p\u016fdu pod nohama. Jsem v bezpe\u010d\u00ed? Pokud ano, z\u016fstanu a znovu zpomal\u00edm dech, zklidn\u00edm mysl a uvoln\u00edm tlak, kter\u00fd m\u011b tla\u010d\u00ed k obran\u011b sv\u00e9 pozice. Sna\u017e\u00edm se p\u0159em\u00fd\u0161let o p\u0159\u00edb\u011bhu t\u00e9to osoby a o mo\u017en\u00e9m zran\u011bn\u00ed v n\u00ed. P\u0159em\u00fd\u0161l\u00edm o up\u0159\u00edmn\u00e9 ot\u00e1zce a sna\u017e\u00edm se z\u016fstat zv\u011bdav\u00fd dostate\u010dn\u011b dlouho na to, aby m\u011b to, co sly\u0161\u00edm, zm\u011bnilo.<\/p>\n\n\n\n Mo\u017en\u00e1, jen mo\u017en\u00e1, se m\u016fj oponent na opl\u00e1tku za\u010dne zaj\u00edmat o m\u011b, bude mi kl\u00e1st ot\u00e1zky a naslouchat m\u00e9mu p\u0159\u00edb\u011bhu. Mo\u017en\u00e1 se jejich n\u00e1zory za\u010dnou rozpadat a otev\u0159ou se jim p\u0159itom nov\u00e9 obzory. . . . Ale mo\u017en\u00e1 tak\u00e9 ne. Na tom nez\u00e1le\u017e\u00ed, pokud je hlavn\u00edm c\u00edlem naslouch\u00e1n\u00ed prohlouben\u00ed m\u00e9ho vlastn\u00edho porozum\u011bn\u00ed. Naslouch\u00e1n\u00ed nep\u0159izn\u00e1v\u00e1 druh\u00e9 stran\u011b legitimitu. Ud\u011bluje j\u00ed lidskost – a zachov\u00e1v\u00e1 tu na\u0161i. [1] Hannah Arendt, Lectures on Kant\u2019s Political Philosophy<\/u><\/em>, ed. Ronald Beiner (Chicago, IL: University of Chicago Press, 1992), 43. <\/p>\n\n\n\n Valarie Kaur,\u202fSee No Stranger: A Memoir and Manifesto of Revolutionary Love<\/u><\/em>\u202f(New York: One World, 2020), 143\u2013144, 156, 157. <\/p>\n\n\n\n Image credit:<\/u><\/strong> Claudia Retter, Caroline\u2019s Porch<\/u><\/em> (detail), photograph, used with permission. Claudia Retter, Lynn\u2019s Tomatoes<\/u><\/em> (detail), photograph, used with permission. Claudia Retter, Micah\u2019s Room<\/u><\/em> (detail), photograph, used with permission. Jenna Keiper & Leslye Colvin, 2022, triptych art, United States. Click here to enlarge the image.<\/u><\/a> <\/p>\n\n\n\n This week\u2019s images by Claudia Retter appear in a form inspired by early Christian\/Catholic triptych art: a threefold form that tells a unified story.\u202fThis year we invited a few photographers, including Claudia, to share their vision with us in an artistic exploration for the Daily Meditations. The inspiration questions we asked each artist to create from were: How do you as an artist connect to and engage with (S)spirit and\/or tradition(s)? How can we translate deeper truths through a lens? and How can we show our inherent connectedness (of humans, nature, other creatures, etc.) through imagery? <\/p>\n\n\n\n Image inspiration:<\/strong> Our eyes are so often drawn to grand majesties – a vivid sunset or an expansive landscape – but the smallest of things has value, a story of its own, a place in the world.<\/em> \u2014Claudia Retter<\/p>\n","protected":false},"excerpt":{"rendered":" Hlavn\u00edm c\u00edlem naslouch\u00e1n\u00ed prohlouben\u00ed m\u00e9ho vlastn\u00edho porozum\u011bn\u00ed. Naslouch\u00e1n\u00ed nep\u0159izn\u00e1v\u00e1 druh\u00e9 stran\u011b legitimitu. Ud\u011bluje j\u00ed lidskost – a zachov\u00e1v\u00e1 tu na\u0161i.<\/p>\n","protected":false},"author":1,"featured_media":4829,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[198],"tags":[554,555],"class_list":["post-4834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-richard-rohr-ofm-centrum-pro-zivot-a-rozjimani","tag-naslouchat","tag-porozumeni","latest_post"],"_links":{"self":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/comments?post=4834"}],"version-history":[{"count":1,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4834\/revisions"}],"predecessor-version":[{"id":4836,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/4834\/revisions\/4836"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media\/4829"}],"wp:attachment":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media?parent=4834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/categories?post=4834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/tags?post=4834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Kaur ch\u00e1pe komplikovanou povahu naslouch\u00e1n\u00ed t\u011bm, kter\u00e9 pova\u017eujeme za sv\u00e9 n\u00e1bo\u017eensk\u00e9, kulturn\u00ed a politick\u00e9 „protivn\u00edky“, a emocion\u00e1ln\u00ed da\u0148, kterou si to vyb\u00edr\u00e1: \u00a0<\/em><\/p>\n\n\n\nC\u00edlem naslouch\u00e1n\u00ed nen\u00ed empatie ale porozumn\u011bn\u00ed<\/h4>\n\n\n\n
Kdy\u017e je naslouch\u00e1n\u00ed t\u011b\u017ek\u00e9, chv\u00edli se soust\u0159ed\u00edm na sebe<\/h4>\n\n\n\n
Naslouchat neznamen\u00e1 souhlasit<\/h4>\n\n\n\n
Translated with www.DeepL.com\/Translator (free version), mezinadpisy vlo\u017eil p\u0159ekladatel<\/em><\/p>\n\n\n\nPrameny:<\/h5>\n\n\n\n