{"id":8640,"date":"2024-04-16T08:13:17","date_gmt":"2024-04-16T06:13:17","guid":{"rendered":"https:\/\/www.frantiskani.cz\/?p=8640"},"modified":"2024-04-16T08:13:21","modified_gmt":"2024-04-16T06:13:21","slug":"jazzove-evangelium","status":"publish","type":"post","link":"https:\/\/www.frantiskani.cz\/index.php\/2024\/04\/16\/jazzove-evangelium\/","title":{"rendered":"Jazzov\u00e9 evangelium"},"content":{"rendered":"\n<h6 class=\"wp-block-heading\">\u0160estn\u00e1ct\u00fd t\u00fdden: Um\u011bn\u00ed a kontemplace<\/h6>\n\n\n\n<p><em>Jazz n\u00e1m pom\u00e1h\u00e1 vn\u00edmat celou \u0161k\u00e1lu existence. Zdaleka n\u00e1m nenab\u00edz\u00ed r\u016f\u017eov\u00e9 br\u00fdle &#8230; realisticky vypov\u00edd\u00e1 o smutku a bolesti&#8230;.. Jazz n\u00e1s podn\u011bcuje k hlubok\u00e9mu a pravdiv\u00e9mu pro\u017e\u00edv\u00e1n\u00ed&#8230;. Jazz h\u0159\u00edm\u00e1 mocn\u00e9 &#8222;ano&#8220;.<\/em><\/p>\n\n\n\n<p><em>-Alvin L. Kershaw, &#8222;N\u00e1bo\u017eenstv\u00ed a jazz&#8220;. <\/em><em>\u202f<\/em><\/p>\n\n\n\n<p><em>U\u010ditelka CAC Barbara A. Holmesov\u00e1 p\u00ed\u0161e o duchu mo\u017enost\u00ed, kter\u00fd je p\u0159\u00edtomen v t\u011bch, kdo tvo\u0159\u00ed a poslouchaj\u00ed jazz:<\/em>\u202f\u202f<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Sly\u0161\u00edte v\u00edce ne\u017e noty<\/h4>\n\n\n\n<p>Kdy\u017e Miles Davis rozdun\u00ed kakofonii, kterou lze jen st\u011b\u017e\u00ed obs\u00e1hnout slovem p\u00edse\u0148, dost\u00e1v\u00e1me se nejbl\u00ed\u017ee k nep\u0159edstaviteln\u00e9mu, k potenci\u00e1lu budoucnosti a ke zdroji na\u0161eho byt\u00ed. P\u0159esto v\u00e1m jazzov\u00ed hudebn\u00edci \u0159eknou, \u017ee improvizace je riskantn\u00ed z\u00e1le\u017eitost. Tak\u00e9 v\u00e1m \u0159eknou, jako to d\u011blal [John] Coltrane, \u017ee n\u011bkdy dost\u00e1vaj\u00ed inspiraci z bo\u017esk\u00fdch zdroj\u016f. Kdy\u017e poslouch\u00e1te Coltranea, sly\u0161\u00edte v\u00edc ne\u017e jen noty. Sly\u0161\u00edte star\u00e9 sousedstv\u00ed a lidi, kter\u00e9 jsme opustili, vyno\u0159uj\u00ed se za p\u016flkami not. Napjat\u00e1 trubka rozmet\u00e1 iluzi, \u017ee na\u0161e vzestupn\u00e1 mobilita p\u0159inese klid.\u202f<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Jazz n\u00e1s vede do kostela<\/h4>\n\n\n\n<p>Ale zat\u00edmco n\u00e1s jazz vyz\u00fdv\u00e1 a pob\u00edz\u00ed, z\u00e1rove\u0148 n\u00e1s vede do kostela&#8230;. [Historik] Martin E. Marty [poznamenal], \u017ee kl\u00ed\u010d k pochopen\u00ed souvislost\u00ed mezi bohoslu\u017ebou a jazzem je obsa\u017een ve slov\u011b \u00facta. Jedn\u00e1 se o emoci, kter\u00e1 je p\u0159\u00edstupn\u00e1 ka\u017ed\u00e9mu. \u0158\u00edk\u00e1, \u017ee &#8222;jazz m\u016f\u017ee propuknout v radost&#8220;. [1] Radost prodchnut\u00e1 riffy \u00facty b\u00fdv\u00e1 nevysloviteln\u00e1&#8230;..<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Um\u011bn\u00ed sm\u011b\u0159uje k&nbsp;vnit\u0159n\u00ed spiritualit\u011b<\/h4>\n\n\n\n<p>Um\u011bn\u00ed tak\u00e9 raz\u00ed cesty k na\u0161im vnit\u0159n\u00edm ostr\u016fvk\u016fm spirituality. Kdy\u017e se rozhodneme \u017e\u00edt pouze ve sv\u00e9 hlav\u011b, izolujeme se od Boha, kter\u00fd je bl\u00ed\u017e ne\u017e n\u00e1\u0161 dal\u0161\u00ed n\u00e1dech. Pod\u0159izovat v\u0161e racion\u00e1ln\u00ed anal\u00fdze sni\u017euje \u00factu na popel. Obnoven\u00ed \u00fa\u017easu je za\u010d\u00e1tkem vnit\u0159n\u00ed cesty k Bohu, kter\u00fd lidi v\u00edry v pr\u016fm\u011bru v\u017edy \u010dek\u00e1 v srdci hledaj\u00edc\u00edho. Pro n\u011bkter\u00e9 p\u0159ich\u00e1z\u00ed v\u00fdzva k uct\u00edv\u00e1n\u00ed jako radost tryskaj\u00edc\u00ed z jazzov\u00fdch riff\u016f. [2]\u202f<\/p>\n\n\n\n<p><em>Jazzov\u00fd pianista a duchovn\u00ed William Carter popisuje, jak n\u00e1m jazz m\u016f\u017ee pomoci p\u0159i modlitb\u011b:&nbsp;<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Jazz se modl\u00ed nevysloviteln\u00fdmi slovy<\/h4>\n\n\n\n<p>M\u00e1m vysok\u00fd n\u00e1zor na instrument\u00e1ln\u00ed hudbu jako na potenci\u00e1ln\u00ed duchovn\u00ed dar jak pro poslucha\u010de, tak pro hudebn\u00edka&#8230;.. Jazzov\u00fd kvartet m\u016f\u017ee v Bo\u017e\u00ed p\u0159\u00edtomnosti vyslovit v\u011bci, kter\u00e9 pouh\u00e1 slova nedok\u00e1\u017eou \u0159\u00edct. Saxofon m\u016f\u017ee na\u0159\u00edkat jm\u00e9nem t\u011bch, kte\u0159\u00ed se c\u00edt\u00ed bezmocn\u00ed. Klav\u00edr m\u016f\u017ee nab\u00eddnout p\u0159\u00edmluvy za ty, kdo jsou v nouzi. Smy\u010dcov\u00fd kontrabas m\u016f\u017ee potvrdit pevn\u00fd z\u00e1klad v\u00edry. Bubny a \u010dinely mohou poutn\u00edky vyz\u00fdvat k radosti.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Jazz je jako modlitba<\/h4>\n\n\n\n<p>B\u00e1sn\u00edk Ron Seitz vypr\u00e1v\u011bl o tom, jak se v ml\u00e1d\u00ed sp\u0159\u00e1telil se spisovatelem a teologem Thomasem Mertonem&#8230;.. Seitz vypr\u00e1v\u00ed o noci, kdy \u0161el s Mertonem do jazzov\u00e9ho klubu v Louisville. [3] Kdy\u017e skupina za\u010dala hr\u00e1t, Merton se k n\u011bmu naklonil a po\u0161eptal mu: &#8222;Te\u010f spolu za\u010dnou mluvit. Poslouchejte.&#8220; Pak se p\u0159ibl\u00ed\u017eil ke kapele, aby l\u00e9pe vid\u011bl. Kdy\u017e se pozd\u011bji vr\u00e1til s vyt\u0159e\u0161t\u011bn\u00fdma o\u010dima, \u0159ekl Seitzovi: &#8222;Tak tohle je modlen\u00ed. To je n\u011bjak\u00e1 modlitba! Nov\u00e1 liturgie. Opravdu, ned\u011bl\u00e1m si legraci.&#8220;\u202f[4]&nbsp;<\/p>\n\n\n\n<p>P\u0159e\u010dt\u011bte si tuto meditaci na str\u00e1nk\u00e1ch cac.org.<\/p>\n\n\n\n<h6 class=\"wp-block-heading\">Prameny:<\/h6>\n\n\n\n<p class=\"has-small-font-size\">[1] Martin E. Marty, \u201cAll That Jazz,\u201d&nbsp;<em>The Christian Century<\/em>&nbsp;115, no. 9 (March 18, 1998): 327.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size\">[2] Barbara A. Holmes,&nbsp;<a href=\"https:\/\/email.cac.org\/t\/d-l-eyulyhk-tlkrhyidn-h\/\"><em>Joy Unspeakable: Contemplative Practices of the Black Church<\/em><\/a>, 2nd ed. (Minneapolis, MN: Fortress Press, 2017), 188\u2013189, 198.\u202f&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size\">[3] Ron Seitz,&nbsp;<em>Song for Nobody: A Memory Vision of Thomas Merton<\/em>&nbsp;(Liguori, MO: Triumph Books, 1993), 114, 115.<\/p>\n\n\n\n<p class=\"has-small-font-size\">[4] William G. Carter,&nbsp;<em>Thriving on a Riff: Jazz and the Spiritual Life&nbsp;<\/em>(Minneapolis, MN: Broadleaf Books, 2024), 102.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Image credit:<\/strong>&nbsp;Benjamin Yazza, Untitled (detail), New Mexico, 2023, photo, used with permission.&nbsp;<a href=\"https:\/\/email.cac.org\/t\/d-l-eyulyhk-tlkrhyidn-k\/\">Click here to enlarge image<\/a>.&nbsp;<em>What draws us when we gaze on an image? Here we see movement, flow, and artistry in natural wood.&nbsp;<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seitz vypr\u00e1v\u00ed o noci, kdy \u0161el s Mertonem do jazzov\u00e9ho klubu v Louisville. [3] Kdy\u017e skupina za\u010dala hr\u00e1t, Merton se k n\u011bmu naklonil a po\u0161eptal mu: &#8222;Te\u010f spolu za\u010dnou mluvit. Poslouchejte.&#8220; Pak se p\u0159ibl\u00ed\u017eil ke kapele, aby l\u00e9pe vid\u011bl. Kdy\u017e se pozd\u011bji vr\u00e1til s vyt\u0159e\u0161t\u011bn\u00fdma o\u010dima, \u0159ekl Seitzovi: &#8222;Tak tohle je modlen\u00ed. To je n\u011bjak\u00e1 modlitba! Nov\u00e1 liturgie. Opravdu, ned\u011bl\u00e1m si legraci.&#8220;\u202f<\/p>\n","protected":false},"author":1,"featured_media":8635,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[198],"tags":[1648,1650],"class_list":["post-8640","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-richard-rohr-ofm-centrum-pro-zivot-a-rozjimani","tag-jazz","tag-vic-nez-noty","latest_post"],"_links":{"self":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/8640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/comments?post=8640"}],"version-history":[{"count":1,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/8640\/revisions"}],"predecessor-version":[{"id":8641,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/posts\/8640\/revisions\/8641"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media\/8635"}],"wp:attachment":[{"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/media?parent=8640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/categories?post=8640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frantiskani.cz\/index.php\/wp-json\/wp\/v2\/tags?post=8640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}